Toward the end of Episode 2 of The Get Down, Baz Luhrmann’s ’70s-set drama about the rise of hip-hop and the fall of disco in New York City, there’s a line of dialogue that hints at the both the undeniable joys and the patented absurdities of the show’s premise and execution. “This ain’t Disneyland!” shouts […]
Toward the end of Episode 2 of The Get Down, Baz Luhrmann’s ’70s-set drama about the rise of hip-hop and the fall of disco in New York City, there’s a line of dialogue that hints at the both the undeniable joys and the patented absurdities of the show’s premise and execution. “This ain’t Disneyland!” shouts […]
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